Teaching the trumpet is a unique and special thing for me. I have more students now than I've ever had before, and it's still never enough. For someone who is fascinated by how trumpet players do certain things, the subconscious choices that a musician makes when playing a phrase, and precisely how I play the trumpet myself, teaching is a never ending wonderland of experimenting, discovering and learning.

Hot off the press is my new website, dedicated solely to my private teaching work. I've tried to make it as comprehensive as I can, aiming to shed light on every question that a trumpet learner might have – like what instrument to buy and how much practice to do. As more questions and suggestions come, I'll add more to the site. Please do take a look here!

Early music is such a passion of mine, and next week I join with two fellow Guildhall alumni for a performance-demonstration of medieval and folk music. My colleagues are experts on recorders and fiddles – just the ticket for a medieval concert. But what did trumpets get to play in the medieval times other than a crude blast here and there? Not much! That’s why I’ll be bringing out a little more than just a trumpet for this one. Naturally, lots of singing will take place, but I also promise the special surprise of my re-learned cornett – wish me all the luck!

A Story of Early Music
Winterbourne Medieval Barn
25 June 2017
Tickets: £10, £5

The trailer for my tour of Wonderland is finally out! Check out the YouTube video below. After twelve weeks, the show is still just as much fun to play – here's to the next eighteen!

November this year is ending with something new for me. Although I love to dabble in pop music, my playing it is generally limited to function bands. All this is changing for the end of this month, however, when the young and promising pop artist Lily Atkinson is taking to the stage of the St James Studio for two nights only. Yes, the venue is comfortably close to the musical theatre world which I know and trust, and ok, the MD and reed player I know exclusively from MT circles, but the music itself is firmly RnB.​

It’s an excitingly large affair for such a small stage, with a 6-piece band and 2 dancers to back Lily. We’ve been rehearsing since the beginning of the month, which will hopefully pay off as there promise to be some famous faces in the audience. Lily, on top of her singing and dancing, is a promising young songwriter; most of the numbers in her upcoming show are her own creations.

My time with my old favourite “vintage spy pop” band is sadly coming to a close. Due to their sizing down, next week will be their last gig with a horn section. But even though it is a Goodbye Gig, it’s doubling as an announcement of their new beginning, with two new singles Jungle and Fooling (Jungle including horns specially, just this once).​

George Tavern, Commercial Road
3 November 2016, 9pm

Tune in to In Tune on BBC Radio 3 to hear me playing live with Alex Mendham and his Orchestra. Mendham's 11-piece orchestra authentically performs hot jazz and sweet dance band music from the Art Deco era, holding a steady position as the top such orchestra in the country.

The orchestra will be broadcasted live from the Royal Festival Hall to mark Radio 3's 70th anniversary. Listen from 5pm on Thursday 29 September 2016.

​My degree is over. My final recital, a month ago today, really was the highlight of my four years at the Guildhall School, as it was everything I had planned it to be – a showcase of who I am as a musician. It had some natural trumpet, in Bach's second Brandenburg Concerto (without a doubt the best piece of baroque trumpet music in existence); I got to play the flugelhorn and exercise my choral roots in a rendition of Gammal Fäbodpsalm från Dalarna for flugelhorn and choir (though I did give up on the arranging side of things and persuaded a dear friend to do that bit for me); and I managed to fit a substantial bit of musical theatre in too – 76 songs in total – with my new invention of the musical theatre trumpet concerto!

Eternal thanks to my composer, Sam, my arranger, Charlie, the 30 musicians who played in the recital (it was meant to be 28, but following a very-last-minute illness, I had to replace a reed tripler with three separate musicians – I prefer a round number anyway), and of course, everyone who came to watch! The rest of you, check out the video which is now up on YouTube for your unlimited enjoyment.